Combining Texts

All the ideas for 'Posthumous notes', 'Maxims and Reflections' and 'Art and Its Objects'

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24 ideas

8. Modes of Existence / E. Nominalism / 5. Class Nominalism
20339 Classes rarely share properties with their members - unlike universals and types [Wollheim]
11. Knowledge Aims / C. Knowing Reality / 3. Idealism / d. Absolute idealism
21971 Transcendental philosophy is the subject becoming the originator of unified reality [Kant]
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
7544 Many people imagine that to experience is to understand [Goethe]
13. Knowledge Criteria / E. Relativism / 3. Subjectivism
7541 Man never understands how anthropomorphic he is [Goethe]
15. Nature of Minds / C. Capacities of Minds / 4. Objectification
20338 We often treat a type as if it were a sort of token [Wollheim]
16. Persons / C. Self-Awareness / 2. Knowing the Self
7543 We gain self-knowledge through action, not thought - especially when doing our duty [Goethe]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
20342 Interpretation is performance for some arts, and critical for all arts [Wollheim]
20343 A love of nature must precede a love of art [Wollheim]
21. Aesthetics / A. Aesthetic Experience / 5. Natural Beauty
7540 Beauty is a manifestation of secret natural laws [Goethe]
21. Aesthetics / B. Nature of Art / 1. Defining Art
20348 A criterion of identity for works of art would be easier than a definition [Wollheim]
21. Aesthetics / B. Nature of Art / 2. Art as Form
20347 If beauty needs organisation, then totally simple things can't be beautiful [Wollheim]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
20331 It is claimed that the expressive properties of artworks are non-physical [Wollheim]
20345 Some say art must have verbalisable expression, and others say the opposite! [Wollheim]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
20336 Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim]
20337 The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim]
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
20333 If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim]
20334 The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim]
20335 The ideal theory of art neglects both the audience and the medium employed [Wollheim]
20340 A musical performance has virtually the same features as the piece of music [Wollheim]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
20341 An interpretation adds further properties to the generic piece of music [Wollheim]
21. Aesthetics / C. Artistic Issues / 3. Artistic Representation
20332 A drawing only represents Napoleon if the artist intended it to [Wollheim]
22. Metaethics / C. The Good / 2. Happiness / d. Routes to happiness
7538 The happiest people link the beginning and end of life [Goethe]
24. Political Theory / B. Nature of a State / 1. Purpose of a State
7542 The best form of government teaches us to govern ourselves [Goethe]
25. Social Practice / C. Rights / 1. Basis of Rights
7539 To get duties from people without rights, you must pay them well [Goethe]